GRE阅读题型变化趋势要点分析解读

GRE阅读题型变化趋势要点分析解读，我们一起来看看吧，下面小编就和大家分享，来欣赏一下吧。

GRE阅读题型变化趋势要点分析解读

GRE考试题型变化趋势宏观分析

从ETS官方网站的叙述中，最为核心的整个考试的GRE阅读变化趋势为如下几点：

Greater emphasis on higher cognitive skills and less dependence on vocabulary

More text-based materials, such as reading passages

A broader selection of reading passages

Emphasis on skills related to graduate work, such as complex reasoning

Expansion of computer-enabled tasks (e.g., clicking on a sentence in a passage to highlight it)

逐点分析，不难发现几乎每条都于阅读部分难度和重要性的提高分不开的。所谓cognitive认知性能力，是所有阅读测试的核心，即主要依赖文章本身而非经验性的一种理解能力。不仅在能力上提出了更高要求，阅读文章本身不论从选择题材的广度，每个Section考察的篇幅数量都大大提升。在计算机新媒介的辅助下，ETS把GRE阅读注册商标般的推理也提高到新的层次进行考察。简而言之，阅读可谓成为了GRE考试中的重中之重。

GRE阅读题型变化趋势实例剖析

笔者对给出的样题中阅读部分做一个综合评述，慢慢揭开GRE阅读的神秘面纱。在对题目做完剖析之后，总结相关的变化和值得注意的要点。

Questions 6 through 8 are based on the following reading passage.

Music critics have consistently defined James P. Johnson as a great early jazz pianist, originator of the 1920's Harlem "stride" style, and an important blues and jazz composer. In addition, however, Johnson was an innovator in classical music, composing symphonic music that incorporated American, and especially African-American, traditions.

Such a blend of musical elements was not entirely new: by 1924 both Milhaud and Gershwin had composed classical works that incorporated elements of jazz. Johnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music, was particularly suited to expand Milhaud's and Gershwin's experiments. In 1927 he completed his first large-scale work, the blues- and jazz-inspired Yamekraw, which included borrowings from spirituals and Johnson's own popular songs. Yamekraw, premiered successfully in Carnegie Hall, was a major achievement for Johnson, becoming his most frequently performed extended work. It demonstrated vividly the possibility of assimilaing contemporary popular music into the symphonic tradition.

本选文难度和风格几乎和现行的GRE阅读没有太大区别。题材又谈到了黑人，尤其是爵士音乐。这种题材在之前的阅读考试中也经常出现。把握住文章首段重要词汇however抓住主题。分清文中矛盾对象(创新与传统，不同音乐家间的逻辑联系)，文章应该比较容易处理。

6. The passage states that Johnson composed all of the following EXCEPT

A. jazz works 　B. popular songs 　C. symphonic music 　D. spirituals　 E. blues pieces

此题正确答案为D。文中开始谈到Johnson作为伟大爵士音乐家，因为其创始了新的风格，其中包括了blues and jazz.而在文章末句提到了他吸收了同时代的popular music以及symphonic.注意该题的spirituals文中确实也出现过，但是措辞用的是borrow from,题干问的是compose.

此题正确答案为E。该题题干提到的critics指引考生定位到文章首段。经过逻辑和套路熟练训练后，不难把握Music critics have consistently defined James P. Johnson as a great early jazz pianist…… however, Johnson was an innovator in classical music。类似于两个观点的对立，为结构上重要内容。

以上就是针对GRE考试题型变化的相关介绍，通过文章的详细介绍，相信大家对GRE阅读部分的变化有了一些了解，希望能够给考生提供一些帮助，最后预祝大家在GRE考试中考出好成绩。

GRE阅读练习每日一篇

Ragtime is a musical form that synthesizes folk melodies and musical techniques into a brief quadrille-like structure, designed to be played—exactly as written—on the piano. A strong analogy exists between European composers like Ralph Vaughan Williams, Edvard Grieg, and Anton Dvorak who combined folk tunes and their own original materials in larger compositions and the pioneer ragtime composers in the United States. Composers like Scott Joplin and James Scott were in a sense collectors or musicologists, collecting dance and folk music in Black communities and consciously shaping it into brief suites or anthologies called piano rags.

It has sometimes been charged that ragtime is mechanical. For instance, Wilfred Mellers comments, “rags were transferred to the pianola roll and, even if not played by a machine, should be played like a machine, with meticulous precision.” However, there is no reason to assume that ragtime is inherently mechanical simply because commercial manufacturers applied a mechanical recording method to ragtime, the only way to record pianos at that date. Ragtime’s is not a mechanical precision, and it is not precision limited to the style of performance. It arises from ragtime’s following a well-defined form and obeying simple rules within that form.

The classic formula for the piano rag disposes three to five themes in sixteen-bar strains, often organized with repeats. The rag opens with a bright, memorable strain or theme, followed by a similar theme, leading to a trio of marked lyrical character, with the structure concluded by a lyrical strain that parallels the rhythmic developments of the earlier themes. The aim of the structure is to rise from one theme to another in a stair-step manner, ending on a note of triumph or exhilaration. Typically, each strain is divided into two 8-bar segments that are essentially alike, so the rhythmic-melodic unit of ragtime is only eight bars of 2/4 measure. Therefore, themes must be brief with clear, sharp melodic figures. Not concerned with development of musical themes, the ragtime composer instead sets a theme down intact, in finished form, and links it to various related themes. Tension in ragtime compositions arises from a polarity between two basic ingredients: a continuous bass—called by jazz musicians a boom-chick bass—in the pianist’s left hand, and its melodic, syncopated counterpart in the right hand.

Ragtime remains distinct from jazz both as an instrumental style and as a genre. Ragtime style stresses a pattern of repeated rhythms, not the constant inventions and variations of jazz. As a genre, ragtime requires strict attention to structure, not inventiveness or virtuosity. It exists as a tradition, a set of conventions, a body of written scores, separate from the individual players associated with it. In this sense ragtime is more akin to folk music of the nineteenth century than to jazz.

17. Which of the following best describes the main purpose of the passage?

(A) To contrast ragtime music and jazz

(B) To acknowledge and counter significant adverse criticisms of ragtime music

(C) To define ragtime music as an art form and describe its structural characteristics

(D) To review the history of ragtime music and analyze ragtime’s effect on listeners

(E) To explore the similarities between ragtime music and certain European musical compositions

18. According to the passage, each of the following is a characteristic of ragtime compositions that follow the classic ragtime formula EXCEPT:

(A) syncopation

(B) well-defined melodic figures

(C) rising rhythmic-melodic intensity

(D) full development of musical themes

(E) a bass line distinct from the melodic line

19. According to the passage, Ralph Vaughan Williams, Anton Dvorak, and Scott Joplin are similar in that they all

(A) conducted research into musicological history

(B) wrote original compositions based on folk tunes

(C) collected and recorded abbreviated piano suites

(D) created intricate sonata-like musical structures

(E) explored the relations between Black music and continental folk music

20. The author rejects the argument that ragtime is a mechanical music because that argument

(A) overlooks the precision required of the ragtime player

(B) does not accurately describe the sound of ragtime pianola music

(C) confuses the means of recording and the essential character of the music

(D) exaggerates the influence of the performance style of professional ragtime players on the reputation of the genre

(E) improperly identifies commercial ragtime music with the subtler classic ragtime style

21. It can be inferred that the author of the passage believes that the most important feature of ragtime music is its

(A) commercial success

(B) formal structure

(C) emotional range

(D) improvisational opportunities

(E) role as a forerunner of jazz

22. It can be inferred from the passage that the essential nature of ragtime has been obscured by commentaries based on

(A) the way ragtime music was first recorded

(B) interpretations of ragtime by jazz musicians

(C) the dance fashions that were contemporary with ragtime

(D) early reviewers’ accounts of characteristic structure

(E) the musical sources used by Scott Joplin and James Scott

23. Which of the following is most nearly analogous in source and artistic character to a ragtime composition as described in the passage?

(A) Symphonic music derived from complex jazz motifs

(B) An experimental novel based on well-known cartoon characters

(C) A dramatic production in which actors invent scenes and improvise lines

(D) A ballet whose disciplined choreography is based on folk-dance steps

(E) A painting whose abstract shapes evoke familiar objects in a natural landscape

Echolocating bats emit sounds in patterns—characteristic of each species—that contain both frequency-modulated (FM) and constant-frequency (CF) signals. The broadband FM signals and the narrowband CF signals travel out to a target, reflect from it, and return to the hunting bat. In this process of transmission and reflection, the sounds are changed, and the changes in the echoes enable the bat to perceive features of the target.

The FM signals report information about target characteristics that modify the timing and the fine frequency structure, or spectrum, of echoes—for example, the target’s size, shape, texture, surface structure, and direction in space. Because of their narrow bandwidth, CF signals portray only the target’s presence and, in the case of some bat species, its motion relative to the bat’s. Responding to changes in the CF echo’s frequency, bats of some species correct in flight for the direction and velocity of their moving prey.

24. According to the passage, the information provided to the bat by CF echoes differs from that provided by FM echoes in which of the following ways?

(A) Only CF echoes alert the bat to moving targets.

(B) Only CF echoes identify the range of widely spaced targets.

(C) Only CF echoes report the target’s presence to the bat.

(D) In some species, CF echoes enable the bat to judge whether it is closing in on its target.

(E) In some species, CF echoes enable the bat to discriminate the size of its target and the direction in which the target is moving.

25. According to the passage, the configuration of the target is reported to the echolocating bat by changes in the

(A) echo spectrum of CF signals

(B) echo spectrum of FM signals

(C) direction and velocity of the FM echoes

(D) delay between transmission and reflection of the CF signals

(E) relative frequencies of the FM and the CF echoes

26. The author presents the information concerning bat sonar in a manner that could be best described as

(A) argumentative

(B) commendatory

(C) critical

(D) disbelieving

(E) objective

27. Which of the following best describes the organization of the passage?

(A) A fact is stated, a process is outlined, and specific details of the process are described.

(B) A fact is stated, and examples suggesting that a distinction needs correction are considered.

(C) A fact is stated, a theory is presented to explain that fact, and additional facts are introduced to validate the theory.

(D) A fact is stated, and two theories are compared in light of their explanations of this fact.

(E) A fact is stated, a process is described, and examples of still another process are illustrated in detail.

答案：17-27：CDBDBADDBEA